Portfolio
Original Music
Portfolio
Project Highlights
Project Highlights
Project Highlights
Weather or Not
OST, Sound Design
Weather or Not
OST, Sound Design
Weather or Not
OST, Sound Design
A 2D puzzle-platformer set is a world of fantasy, torn between seasons. Leitmotifs and musical themes were adapted to reflect different seasons within the game, making for interactive / adaptive music and keeping the music cohesive throughout the game. The game was story-driven with narrative segments between levels, which were enriched with cinematic adaptations of the themes. Sound design elements were adapted to fit different seasons.
A 2D puzzle-platformer set is a world of fantasy, torn between seasons. Leitmotifs and musical themes were adapted to reflect different seasons within the game, making for interactive / adaptive music and keeping the music cohesive throughout the game. The game was story-driven with narrative segments between levels, which were enriched with cinematic adaptations of the themes. Sound design elements were adapted to fit different seasons.
A 2D puzzle-platformer set is a world of fantasy, torn between seasons. Leitmotifs and musical themes were adapted to reflect different seasons within the game, making for interactive / adaptive music and keeping the music cohesive throughout the game. The game was story-driven with narrative segments between levels, which were enriched with cinematic adaptations of the themes. Sound design elements were adapted to fit different seasons.
Catacombs of Despair
OST, GameJam Entry
Catacombs of Despair
OST, GameJam Entry
Catacombs of Despair
OST, GameJam Entry
Catacombs of Despair is a horror-maze game, where the player has to solve the maze before time runs out. The music adapted to how much time the player had left (intensifying as time ran out) and clues found during gameplay. View Example 2 here to see how music adapted to clues found. This game was made as a GameJam, meaning, I had only one week the make this soundtrack.
Catacombs of Despair is a horror-maze game, where the player has to solve the maze before time runs out. The music adapted to how much time the player had left (intensifying as time ran out) and clues found during gameplay. View Example 2 here to see how music adapted to clues found. This game was made as a GameJam, meaning, I had only one week the make this soundtrack.
Catacombs of Despair is a horror-maze game, where the player has to solve the maze before time runs out. The music adapted to how much time the player had left (intensifying as time ran out) and clues found during gameplay. View Example 2 here to see how music adapted to clues found. This game was made as a GameJam, meaning, I had only one week the make this soundtrack.
Mesophyll, EP (2025)
Mesophyll, EP (2025)
Mesophyll, EP (2025)
Mesophyll is a self-released instrumental concept album. It is a 15-minute story driven suite, consisting of three phases. It presents a fusion of hybrid orchestral scoring, electric/acoustic guitar, atmospheric elements and electronic touches. You will hear samples recorded by myself throughout my travels, manipulated and weaved into the suite. The album was composed, produced, mixed and mastered by myself.
Making the album is a rewarding exercise in narrowing a concept down to musical themes, and executing. Moreover, making it was valuable in practicing mixing as an art form, to tailor to the project concept and deliver the intended message.
Mesophyll is a self-released instrumental concept album. It is a 15-minute story driven suite, consisting of three phases. It presents a fusion of hybrid orchestral scoring, electric/acoustic guitar, atmospheric elements and electronic touches. You will hear samples recorded by myself throughout my travels, manipulated and weaved into the suite. The album was composed, produced, mixed and mastered by myself.
Making the album is a rewarding exercise in narrowing a concept down to musical themes, and executing. Moreover, making it was valuable in practicing mixing as an art form, to tailor to the project concept and deliver the intended message.
Mesophyll is a self-released instrumental concept album. It is a 15-minute story driven suite, consisting of three phases. It presents a fusion of hybrid orchestral scoring, electric/acoustic guitar, atmospheric elements and electronic touches. You will hear samples recorded by myself throughout my travels, manipulated and weaved into the suite. The album was composed, produced, mixed and mastered by myself.
Making the album is a rewarding exercise in narrowing a concept down to musical themes, and executing. Moreover, making it was valuable in practicing mixing as an art form, to tailor to the project concept and deliver the intended message.
Track Selections
Track Selections
Track Selections
Horror, Tension
"Haunted Ivory"
A Halloween-themed haunted piano track. Tense, gothic, eerie and horror-oriented.
Featuring Ghost Piano by Triumph Audio.
Horror, Tension
"Haunted Ivory"
A Halloween-themed haunted piano track. Tense, gothic, eerie and horror-oriented.
Featuring Ghost Piano by Triumph Audio.
Sci-Fi, Organic
"Organic Uprising"
A modern sci-fi track with orchestral elements and a touch of "organic", brought by the Acoustic Guitar. Ideal for a human protagonist with sophistication and non-linearities, against a backdrop of a modern world woven with Sci-Fi and AI.
Sci-Fi, Organic
"Organic Uprising"
A modern sci-fi track with orchestral elements and a touch of "organic", brought by the Acoustic Guitar. Ideal for a human protagonist with sophistication and non-linearities, against a backdrop of a modern world woven with Sci-Fi and AI.
Tribal Percussion
"Exit Strategy"
Heavy-hitting, tribal and raw-sounding.
Featuring Kevin's Drum Kit by Triumph Audio.
Tribal Percussion
"Exit Strategy"
Heavy-hitting, tribal and raw-sounding.
Featuring Kevin's Drum Kit by Triumph Audio.
Progressive Rock
"Electric Sunrise"
Energetic progressive rock track featuring electronic elements, electric and acoustic guitar, and telling the story of a fresh start.
Progressive Rock
"Electric Sunrise"
Energetic progressive rock track featuring electronic elements, electric and acoustic guitar, and telling the story of a fresh start.
Salsa-Inspired Latin
"Finca La Argelia"
I was in an Airbnb in Colombia, full of Latin instruments. I recorded them to make this salsa-inspired track.
Salsa-Inspired Latin
"Finca La Argelia"
I was in an Airbnb in Colombia, full of Latin instruments. I recorded them to make this salsa-inspired track.
Villain Theme
"Lurking Evil"
Ominous harmonies and bigger drum sounds. Sound design was focused on tech and metal sounds to reflect the villain.
Villain Theme
"Lurking Evil"
Ominous harmonies and bigger drum sounds. Sound design was focused on tech and metal sounds to reflect the villain.
Progressive Metal
"Persephone's Revenge"
High-octane, story-driven progressive metal track featuring electronic elements, 7-string electric guitar.
Progressive Metal
"Persephone's Revenge"
High-octane, story-driven progressive metal track featuring electronic elements, 7-string electric guitar.
Sci-Fi, Ethnic
"Dubai Heist"
A modern spy game track, involving middle eastern instruments utilized in a high-tech, sci-fi context - inspired by the "Splinter Cell" video game series.
Made as part of Jason Graves' "Music Composition for Games" online course (certificate).
Sci-Fi, Ethnic
"Dubai Heist"
A modern spy game track, involving middle eastern instruments utilized in a high-tech, sci-fi context - inspired by the "Splinter Cell" video game series.
Made as part of Jason Graves' "Music Composition for Games" online course (certificate).
Tension-Horror
"Little Nightmares"
For this one, I sampled sounds produced by a nutcracker toy, to make an eerie, tense track inspired by "Little Nightmares".
Listen with Little Nightmares Footage
Tension-Horror
"Little Nightmares"
For this one, I sampled sounds produced by a nutcracker toy, to make an eerie, tense track inspired by "Little Nightmares".
Listen with Little Nightmares Footage
Horror-Maze Tension
"Catacombs of Despair"
The focus was to establish a few motifs and intensify them as the timer ran out.
Made within a Week for the Brackeys GameJam 2025.1 entry, "Catacombs of Despair".
Positive feedback on soundtrack seen
Horror-Maze Tension
"Catacombs of Despair"
The focus was to establish a few motifs and intensify them as the timer ran out.
Made within a Week for the Brackeys GameJam 2025.1 entry, "Catacombs of Despair".
Positive feedback on soundtrack seen